Pat's Paper Bead Swap- A Bit of a Funny Story

This is the last of the Feb swaps, and I meant to post this picture last week! I think my blogging is destined to be like my washing- sometimes I do a load a day, then I don't do any for a few days which means I am back to frantic load-a-day again! Pat hosted this swap, and I happily put my name down for it as I have enjoyed making these paper and UTEE beads in the past. Little did I know how frustrating it would be to make 20 all at once! Now, you have to understand, I was the only one who had problems, so I think it is just me! And the resulting beads are pretty, so it was worth it really :)

Here is a quick tutorial if you want to have a go yourself:

1. This is the easy bit. Prepare an A4 piece of paper by colouring, stamping, whatever you like. Decide how long you want your beads to be and cut into long triangles, making the widest side the length you have decided on. Mine are 1.5cm, and I used my trimmer and just cut them quickly into the triangles. NOTE: Make 5 more than you want to end up with, just in case.
2. Find a bamboo skewer and, starting with the wide end of your triangle, wrap your paper tightly around until it looks like a bead shape, using a dab of glue every so often to keep the tension. Pull tight every so often, then start again as the whole thing unwinds. Undo every time it goes out of shape. Make as many beads as your nerves allow, then leave the project alone while you have a cup of tea. Go back to it when your patience has returned and finish all 25.
3. Put your melt pot on, and fill it with clear UTEE- admire the clarity then add flex to stop the beads from shattering when knocked. Note that the beautiful clear mixture has now gone yellow. Apply Versamark/glycerine to the end of your skewer and add your first bead near the end. Dip in the hot UTEE and then quickly rotate like a glas blower to make sure the UTEE sets in an even shape. Re-dip when you realise that you have a huge lump on one side. Repeat the twirling and set aside to cool (you can have two skewers on the go at once to save hanging around).
4. Using scissors, cut of the excess UTEE at each end of the bead so that you can slide the finished bead off. Admire how pretty it is. Go to your second skewer to do the same and realise that this skewer is wood, not bamboo, and therefore rough enough that your bead is completely stuck. Go and hunt for another bamboo skewer in the kitchen drawers. Oh well, you still have 4 spare beads and this won't happen again!
5. Do a few more perfect beads. You must be getting the hang of this! Then do exactly as you have been doing, pull the bead off the skewer, and watch it unwind from the inside, leaving you with a UTEE shell. Oh well, you still have 3 spare beads. Carry on, repeating this cycle until you have one short of your required total, and no more paper beads to dip. Desperately try to cut one more bead from the paper you coloured- phew, just! Dip your final bead, take it off the skewer, and go and have a big gin and tonic to calm your nerves.
6. Put the beads in a glass dish, and admire them. Knock them on the floor (must be the g and t!) and scrabble around to pick them all up. Then go and put them somewhere really, really safe so that you can photograph them and send them off.

When I look back on my bead-making experience, I have to laugh as it just shows how kack-handed I can be! I think I will stick to making just one or two at a time next time... and there will be a next time as it is the perfect way to get a bead to match your project. Good luck if you give this a try!

February Inchies- Oriental

You may realise this week that I have downloaded the contents of my camera, and am now trying to blog it all! This is my inchie swap for this month, and Sid gave us the theme of Oriental. Recently, I have been rifling through my scraps drawers before I start any new project, and this time I found a scrap of background paper that I made for my first Bind-it-all project in July 2007. It's nice to recycle :)

Colour: Nick Bantock inks, Perfect Pearls, Versafine, Versamagic (stamped into clay)
Stamps: Paperartsy (Buddha), Non Sequitur (chop)
Other: Das air-dry clay, red embroidery thread, black card

Altered wooden box

Apologies for the rubbish photos, I took these on Tuesday, and I don't think it was bright enough for decent photos at any time of day, let alone 9am! I need a light box...!

This was a pressie for my best friend, Vicky. She gave me a beautiful altered triple frame in return- I will photograph it the next time we have good light.

Colour: Nick Bantock dye inks, Anita's acrylic paint, Stickles, Versamagic, Sakura clear Stardust pen
Stamps: All Paperartsy (inside the lid of the box I used tiny flowers from one of the minis, but they are not visible in the photo)
Other: Box from The Range, and tiny handle made using my new toy, the Ranger melt pot, plus a Krafty Lady mould.

I absolutely love my Melt pot, which was my pressie from Paul, and used it a fair amount for the handmade gifts. I forgot to order any more UTEE, though, so must get around to that this week!

A Tag Made for the Sunday Challenge

The theme was 'All Things Bright and Beautiful' at UK Stampers last week, and this is what I made.

Colour: Glimmer Mist, Versafine, Stickles, Sakura Stardust pen, Nick Bantock dye ink
Stamps: All Cherry Pie
Other: Redicut gems, fibres

My Final CJ Entry

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Next CJ Entry

This is the next entry in the 'Just One Stamp' circle journal. We are not far from finishing now; we have three more to do until our own journals wing their way home, full of gorgeous artwork. And the really great thing about this group is that our organiser, Gail, has kept us all on track, so we have no missing journals to worry about, which seems to be a common problem in these kind of groups. Just to recap, here is the link to all of the previous entries.
The stamp which came with this journal is a feather. I don't know who it is by, but it is a beautifully detailed stamp. The previous entries were all so good, and I wanted to do something different, so I decided to turn the feather into a peacock's tail. White peacocks are thought to be incredibly lucky, and I know the journal's owner, Alison, is very ill in hospital and could do with some luck, so I had to make my peacock white. I also really wanted to use the turquoise, as for some reason it is my favourite colour at the moment and I keep using it on everything I do (even my new clock is that colour, and I hope to do a new header soon, too).

Stamps: Unknown (feather), Tanda (Peacock and Peacock feather)
Colour: Alcohol inks, Moonshadow mist, Sakura glaze pen, White embossing powder, Nick Bantock Inks
Other: Words printed on Conqueror Silica blue paper, ribbon from my stash, Self-adhesive metal tape from DIY store, Cuttlebug embossing folder

The background is alcohol inks on glossy card which I then sprayed with the Moonshadow mist. Because of the glossy coating, it beads up when sprayed, and when dried with a heat-gun, you get a gorgeous effect, with tiny dots of the turquoise mica powder (sorry, it doesn't really show up on the photograph). The patterned section is the metal tape, which I ran through the Cuttlebug then coloured with alcohol inks. I can see myself trying that again, and maybe using some glaze pens too- it could look great!

Perfect Pearls class for 2 peas Stamptoberfest.

I don't know if you remember, but 2Peas' stamping board staged a very successful weekend event called World Stamping Weekend. Well, this time you have a week to get involved and have some fun! There are loads of challenges and classes, and this is one of them.

In this class, I am going to demonstrate my three favourite techniques using Perfect Pearls. The challenge part for you is to use all of those techniques on one piece! The RAK for the best piece is a bag of ribbons and embellishments which I promise to photograph tomorrow! Judging will take place next Saturday, and all entries must be in the 2Peas gallery and have SOF Pearls in the title. Here is the thread to link to. Click on any of the photos for a closer look!

Note: I have used Perfect Pearls here. From what I have read, the difference between PP and other powders is that PP contains a gum that acts as a fixative. So if you are using other brands, just remember to use a spray fixative or varnish.

Stage one- Creating a background.

This is the Craft mat/ Distress Ink technique with a little added Perfect Pearls. You could also use Nick Bantock Dye Ink in the same way. Or feel free to play with whatever you have! Be warned, this technique is messy and you will get inky fingers. It’s all in a days stamping!

You will need:

Distress Ink or other dye ink (not water resistant!)

Perfect Pearls

Craft mat, cutting mat or other plastic surface

Water in a spray mister

Small paintbrush

Smooth watercolour paper or card

1. On your craft mat (or other plastic surface) dab your ink pad(s) randomly, leaving some gaps. Make sure the area you cover is a little bigger than your chosen paper.
2. Use a dry paintbrush to get a little powder and flick it over the inked craft mat. I like to have a few little ‘drifts’, to give a more obvious effect.
3. Spritz your craft mat with water until there are tiny even beads of water/ink visible.
4. Place your paper on the wet, inky mat, and move it around a little. Lift the edge and check the coverage. If there are any gaps, then put it down again and move it around some more.
5. Put the paper to one side to dry. You can use a heat gun if you are impatient!

Now for the next part…

Stage two- adding pattern

This is a really simple stage (isn’t it all?!) to add some pattern to your background paper. You will need to make sure your paper is really dry, as the powder will cling to any moisture.

You will need:

Versamark

Perfect Pearls

A small paintbrush

A soft brush ie. a blusher brush, or a dry tissue/cotton wool.

A stamp with a swirl-type pattern

1. Ink up your chosen stamp with Versamark
2. Stamp it onto your background paper to create a pattern.
3. Using the small paintbrush, generously dust on some Perfect Pearls. You can use more than one colour and blend if you like. If you swirl the brush around as you go, you can move the powder along the design so as not to waste it.
4. Blow off the excess powder.
5. Using either the soft brush or a piece of tissue, gently rub all over the design to take off any unwanted powder. This also sets and polishes the powder.

And now for the last part…

Stage three- Adding your design

This last stage utilises something I found out by accident, and creates a two-tone effect.

You will need:

Distress Ink or similar in a darker colour

Perfect Pearls

A small paintbrush

A soft brush or tissue/cotton wool

A stamp!

1. Stamp your design in Distress Ink or other.
2. When it is nearly dry, add some powder. Swirl it around with your brush, it doesn’t have to be really even.
3. Brush off as in stage two.

And this is the finished piece... All stamps by Cherry Pie.

Collage swap over at The Land of Lost Luggage.

I am participating in a swap at Julie's art blog, The Land of Lost Luggage. Julie does great collage pieces, and is hosting this swap based on a book by Sally Jean Alexander, called "Pretty Little Treasures". Now, I haven't read this book, and my collage work amounts to...zero! However, I really feel the best thing about the blogging and forum communities is the fact that we can learn so much from each other, so I am now in the middle of learning how to collage!
Julie has been posting 3 steps at a time, I am sadly behind at the moment, but am catching up! Hopefully I will be finished early next week.
The first three steps are as follows:

Your collage can be on any surface as long as it will "take" the techniques. For example, cardboard, canvas, cardstock, etc. I am not sure your collage will work on glass or metal.

Having said that, he we go! Today's techniques are: Paint, Paper, Ink

1. Paint: Anything you can apply with a brush. Place paint on your surface to be the starting background of your collage. You can use all one color, mix and match, whatever!


2. Paper: Attach paper onto the painted surface for an accent to the background. Any type of paper will do!


3. Ink: Doodle, spill, splatter, dab, you name it! Add some ink to any areas of your collage.

I decided to my piece on foam-board, as it takes paint well and should be easy to post. It is 6" square. I started with acrylic paint, mostly hot pink, but with red and white added. I wanted the brushstrokes to be visible. The paper is from a fab book of 6" papers from Crafty Individuals. I was thinking of using some text instead, but I didn't have time to go out and find a book to use, and my (huge) collection of books at home are way too loved to use! The ink is Distress Ink in Dusty Concord, plus Nick Bantock Ink in Damson Plum. I have drawing ink in a lovely purple, but had already made such a mess with the paints that I didn't want to risk splattering anything important!
The next stage involves charcoal, which I didn't actually have, but today I went and bought some from...a supermarket! I has the blender stump and everything! And I thought I would have to go to an art shop!
I am really busy at home at the moment and the photos are backing up a bit as I haven't had the time to blog about them. I have also been tagged by Michelle at Faerie*Dust*Dreams, I will do my bit soon! (Michelle does amazing collage and altered pieces, I love the crown she has as her header.) It's nice to be busy, but it does take away from my creative time a bit. But I have a little notebook, so I am sketching away whenever I have an idea!

Wednesday Stamper- Blue

This week's Wednesday Stamper theme is blue, which is one of my favourite colours, and I immediately knew what I wanted to do. Well, this is almost what I had planned. This is a new stamp from Non Sequitur, and I was planning to get complicated and heat emboss, watercolour, and generally phaff about. I stamped the image first of all, to check how much pressure I needed etc (this is a huge stamp!) and... I love it plain! It almost feels like cheating, to just stamp an image in one colour, but how could I improve on the beautiful design. If you click on it you will see there are loads of tiny dots, it is very detailed.
I did mess around with the background, it is the usual craft mat/water technique, only this time I sprinkled on some Perfect Pearls before spritzing with water. It has created drifts of subtle shimmer, a bit like a clouded sky in the moonlight.
Sadly my camera is not too happy with blue tones, and every photo I took came out turquoise! The actual card is a much darker blue. I found that if I tilt my laptop screen away from me, the colour is perfect!
The swirl stamps are also Non Sequitur, the silvery ones are stamped with Versamark and brushed with Perfect Pearls. The main image is matted onto some pearlescent and plain cardstocks, and I added a navy blue ribbon. Oh, and the stamping and background were done with Nick Bantock Dye Ink in Prussian Blue, just like my hands last night!

More Backgrounds, but this time that's all that's required!

I realise that I keep on showing backgrounds at the moment, but this time there is a good reason! I'm taking part in a 3 stage ATC jam at UK Stampers, where three people each do part of an ATC, then send it to the next person etc. (A bit like a circle journal). We've only just started, and so these are my two background, to be sent on to the next person on the list. The next time you see these, they will be unrecognisable!
For these, I used the craft mat/water technique with Nick Bantock Dye Inks in Prussian Blue and Chartreuse Green. Then I stamped in Versamark and brushed with Perfect Pearls. The Blue background is an Anna Griffin stamp with Gold Perfect Pearls, and the green background is a two Non Sequitur stamps with Copper Perfect Pearls. I know these are techniques I use a lot, but I thought it best not to be too experimental when someone else needs to be able to work on these!
I have just received some backgrounds to work on, and they are fab. I need to get my thinking cap on, as I want to do these right! We have three weeks to work on each stage but are ahead of ourselves already. I will work on them this weekend, if I get some time. This stage is quite difficult, as I have to leave room for the last person to contribute.
I have got more photos to show, but tomorrow, as they are for a birthday! I am still out and about making the most of this lovely weather, so the photos are building up a bit, waiting for a big hit!

My first commission!

I realise I have been absent from blog-land all weekend. The weather has been too good to be indoors, although I did get some creative time yesterday evening. This card was made for a busy friend to send to her Mum for her birthday. This friend is very creative too, but her baby sleeps even more badly than Dan, so takes up a lot of evening time. It's no fun trying to be productive if you have had no sleep!
I started by doing the craft mat/water technique using Distress Inks in Shabby Shutters, Antique Linen, and Scattered Straw. Then I sprayed with Perfect Pearls mixed with water, and stamped with A Stamp in the Hand's Field of Sky over the whole thing (it looks like a sprayed finish, without the uncertainty!). I stamped with Hero Arts script, Aud Design's swirl, and a Paperartsy butterfly over the background, then edged with Nick Bantock Dye Ink in Damson Plum. I stamped the main Paperartsy image in Damson Plum, and while it was wet dusted Perfect Pearls over it. The card it is matted onto is also Damson Plum Ink and Perfect Pearls. It looks so shimmery in the light! The main card is stamped with the script stamp in DI Antique Linen, then I stuck it all down with added ribbon and an embellishment from my stash.
I should have taken a photo of the envelope and the insert, as I stamped on those using Ancient Page in Sandalwood, as it is waterproof. Next time I will. I hope there will be a next time, anyone want a card?!

New header.

As you can see, I have finally got around to making a few little changes on here, just little tweaks to make it a bit nicer. This is partly thanks to Godelieve, as she has a blog devoted to helping us novices with improving on the original template.
I've been planning this header for ages, I have just been so busy with other projects that I kept putting off making it. I wanted to use all of my favourite stamps and techniques, to reflect the general content here. So, stamp-wise, you will see my Cherry Pie and Aud Design swirls, Hero Arts script, PSX alphabet, Cherry Pie face and a butterfly stamp (Rubbadubadoo). The background was made using the craft mat/water technique and Distress Ink in Dusty Concord plus Nick Bantock Dye Ink in Damson Plum. All of the black stamping was done using Versafine, and the golds were either Perfect Pearls on Versamark or Gold heat embossing on acetate. The chipboard letters are from Making Memories and were coloured with Brilliance Inks, the gold swirl is 7Gypsies, and the flower is Prima.
Oh, and if anyone is interested, the name of this blog is from an ATC I did for one of Isa's challenges, which said "I like it...but is it Art?" It refers to the interesting question for stampers, that since we are using someone else's images, is it art? Or maybe it should be "Whose art is it anyway?"

My first project with the Bind-it-all.

Here is some artwork, at last! This project took three evenings, but there was a lot of work in it! I was inspired to make this for my Husband by the Making Memories 'Poolside' chipboard alphabet which forms the 4 solid pages of this book. There are also 4 clear plastic pages, thanks to two old Sizzix embossing folders which I didn't need for their original purpose. These have the popped-out letters attached to them. It has made a really chunky book; I had to use the 1" binding wires.
First I made two co-ordinating papers to cover the chipboard with. I used the Nick Bantock dye inks as my starting point, and used the usual craft-mat/water spritzer technique I have used on previous backgrounds. One used the Prussian Blue and Cerulean Azure, the other also used the Chartreuse Green. I stamped over these with various oriental stamps from Blade Rubber and Paperartsy, plus my favourite Cherry Pie swirls. I added accents with Versamark and Perfect Pearls.
The front of the chipboard pages were inked with the Prussian blue ink and covered with the green paper, then the letters cut out with a craft knife. I sanded the edges then used gold Krylon pen to finish them off. I did the same in reverse with the popped out letters, using the turquoise paper. The reverse of these was inked with the two blue inks, stamped with Versamark and the swirls stamp, then Perfect Pearls added.
Then I punched the pages! This was easy, although I had to line the pages up carefully because I only wanted to use five holes instead of six. The machine had no problems going through the chipboard or plastic. I laid the plastic pages over the chipboard pages and glued on the letters with glossy accents, with the right side to the plastic.
The covers were easy, just two pieces of mountboard cut to size, then covered with the turquoise paper. On the front cover I also attached the cut out green paper letters from the inside pages, then added ribbon and a shrink plastic dragon embellishment and a Chinese jade charm. I used navy cardstock on the reverse after adding the ribbon, to cover the raw edges. I then punched the covers, finding it a little difficult to get through the extra two layers of ribbon, but achievable with a bit of extra pressure.
The binding was the easies part, just set the machine and pull the handle. I only have white wires at the moment, but I will be adding to my collection. Oh and one last thing before I assembled the book: I sprayed everything with Matt artists varnish, as my fingers were covered in blue ink from handling the pages. Not good for a present!
I'm very lucky that my Husband appreciates these creations, this book has no purpose other than to look pretty- oh, and keep me occupied for three evenings!

'Buttons and Bows' ATCs

I had a really productive evening yesterday. I finished my ATCs for the UK Stamper's June swap, I made a background paper (Another one!) using the instructions from Kristy's 2nd class at 2 Peas Worldwide Stamping Weekend, and then I made the paper into a mini-book for another UK Stampers swap. I will confess, I was really tired but decided not to go to bed until the baby woke up, and then at ten past midnight, I realised that he hadn't woken up and it really was bedtime! But I felt so pleased at what I had achieved, and at how much fun I had had.
The photos are (obviously) of the ATCs. I'm too embarrassed to confess where the song lyrics are from, although if anyone recognises them, feel free to comment, I will publish the truth! The background is an image of a French postage stamp which shows the revolutionary fashion movement, 'Les Incroyables', and I pasted the image several times using Mod Podge. I then painted gesso over the top, and scraped off the excess using an old credit card. The bow image was made using a swirl from Aud Design and a bow from Fourth Dimension, and stamped in the Nick Bantock ink I bought recently. The lyrics were printed on acetate, then adhered using a Queen and co brad. The buttons and ribbon were from my stash.
Worldwide Stamping Weekend was a great success at 2 Peas, the submissions in the gallery ran to 26 pages. The threads for the classes are still there, and I intend to go back and do some just for fun, since I missed the main event. There is talk of another day for later in the year, watch this space for details, or even better, go and join up!

More backgrounds, or How I can't Move Forward!

I have 3 projects underway at the moment: Wednesday Stamper, the theme for which is 'Eggs', UK Stampers' June 'Buttons and Bows' ATCs, and a mini-book swap on UK Stampers. All of these projects are stuck at the background stage! I have an idea of where I want to end up with each, but I don't seem able to put stamp to paper. I think it's because DH is away. Although he doesn't stamp, I often talk through my ideas with him. Sometimes just the act of verbalising my thoughts makes up my mind, otherwise it's nice to have an opinion, even when I disagree with it! So Sunday is going to have to be an active stamping day, to make the most of him before he goes off again.
The first background here is for the June ATCs. I pasted down some images printed from the computer, painted gesso over them, then scraped most of it off with a credit card. Its a nice way to 'grunge' up your stamping surface. The second background is an ATC for Wednesday Stamper, and I used part of the Nick Bantock Ink background I made a couple of days ago. I stamped in Versamark with an Anna Griffin clear damask stamp, then dusted Perfect Pearls over. It is quite shimmery in real life.
I won't be posting again until Sunday, as I am going to my Brother's wedding tomorrow. But Sunday morning I will have photos of a little project I made as a gift for the happy couple!
Don't forget Worldwide Stamping Weekend over on 2 Peas this weekend. The schedule is out, so clear the decks and get ready to play!

Backgrounds (Playing with inks!)

There was some discussion on UK Stampers recently about Ranger's Nick Bantock dye inkpads. My local craft store seem to be phasing out their Distress Inks (Horrors!), but have brought in this range instead. According to Ranger's website, these inkpads are supposed to be in "dramatic" colours, everything else on the packaging indicates that they are similar in their formulation to the Distress Inks, including being embossable. I had asked if anyone had tried these, and as the answer was no, I thought, what the hey, and bought two!
I needed to make some backgrounds using the Distress Inks, and so I decided to also make some with the Nick Bantock inks, using the same techniques each time. For the Distress backgrounds, I used Tattered Rose, Weathered Wood, and Antique Linen, and for the Nick Bantock I used Prussian Blue and Chartreuse Green.
The first two backgrounds were made using the Ink/Water technique. I pressed the inkpads onto a plastic sheet, spritzed them with water, then pressed my cardstock onto the sheet, and moved it around a little. The second two backgrounds were made by applying the inks to the paper with pieces of sponge, I used make-up sponges. The third two were made by pressing a second piece of cardstock onto my plastic sheet. The last picture shows the effect of just stamping my image, and then stamping and spritzing with water.
I would definitely agree that these colours are "dramatic". As with the Distress Inks, the colour does not change when you apply water, it just spreads and travels really well. Even when the stamped image was spritzed in the last sample, you can see how much colour travelled into the water droplets.My fingers got really inky (not a problem!) and it took a liberal application of neat washing up liquid to get them clean!
I didn't try embossing these, but I could see these dye inks have a longer-than-usual drying time, so embossing wouldn't be a problem. In all, I am really pleased I bought these, as I wanted some stronger colours in dye inks, and will be going back to get some more colours. Now the only question is, do I get the Distress Ink in the Soot Black, or the Nick Bantock Ink in the Lamp Black?!
PS For those who are interested in techniques using inks, check out Isa's blog. She has an excellent section with tutorials on this subject, and if you check out the challenges section, each challenge discusses a different technique. It also has information about her book on this very subject!